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#1 (permalink) | |
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Lieutenant Commander, Concertmaster
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A question about the Notre Dame organ
Hi everyone,
I have a question that I've been pondering for quite a while, but I never got to figure it out... Quoted from Wikipedia, "Notre Dame de Paris" Section: "The organ": Quote:
Thanks! Hope to hear an answer! ~Silver
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SilverLuna: colorist and effects animator for the Wolf movie (www.wolfmovie.com) This is my art!! www.loboe.deviantart.com !! *~I'm a proud organist~* http://www.youtube.com/watch?v=jtj300j129k&fmt=18 http://www.youtube.com/watch?v=Hczd6WKMBUc&fmt=18 ~Silver |
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#3 (permalink) |
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Rear Admiral Appassionata
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Hi Silver, a quick Google found this site
http://james.chauveau.free.fr/ND/paris_nd.htm it would appear that the computerisation is for control, all the pipes are still in use, just the connections from console to the organ have been modernised. Abort the panic attack
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Cheers MIKE. |
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#5 (permalink) |
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Lieutenant Commander, Concertmaster
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lol!!!! xD whew. There are still pipe organs in this world!!!!!! D: D: D: *winkwink
*So, the sound isn't delayed if it's moderised? Because the pipe organ here is traditional and that sound is delayed becase the air has to travel to the pipes. And thanks for the info! Contra- Thanks so much!!
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SilverLuna: colorist and effects animator for the Wolf movie (www.wolfmovie.com) This is my art!! www.loboe.deviantart.com !! *~I'm a proud organist~* http://www.youtube.com/watch?v=jtj300j129k&fmt=18 http://www.youtube.com/watch?v=Hczd6WKMBUc&fmt=18 ~Silver |
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#6 (permalink) |
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Rear Admiral Appassionata
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Not the air, but the connection from the console to the valve that allows the air to the pipe. On older organs this was mechanical, a system of rods and levers, have a look at the connection from a key to its relevant hammer on a piano, then imagine extending that from the few feet or inches in a piano to the distance between the console and the pipes of an organ.
During the 20th century electrical connections began to replace mechanical, now computer technology is being used which needs a lot less wires and operates much faster than previous systems.
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Cheers MIKE. |
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#7 (permalink) |
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Midshipman, Forte
Join Date: Dec 2007
Location: Sydney, Australia
Posts: 48
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It's not necessarily the case that "computer technology" leads to faster operation than "previous systems", if by the latter you are referring to previous electronic control systems. If MIDI technology is in use, which is often the case these days, there can be real timing problems with pipe organs (less so with virtual organs, which are instruments where the sounds are being being generated by computer software or hardware). The problem lies in the speed allocated to the MIDI system, which seemed adequate when specified in the early 1980's, and did not have pipe organs in mind where we have multiple manuals and many stops, but the problem can be reduced by careful configuration of the MIDI arrangements.
Analogicus |
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#8 (permalink) |
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Commodore con Forza
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I'm sure I recall a Scientific American article about the computerisation of the Notre Dame action many years ago. But it was highly critical because the organ was essentially unplayable at the time due to one monumental stuff-up after another. Obviously things have improved since then, but it's like the old adage says: "To err is human, to totally screw things up requires a computer."
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Music is made to transform the states of the soul, for an hour or an instant (J. Alain) |
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#9 (permalink) |
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Lieutenant Commander, Concertmaster
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Really? Because I love to listen to recordings of Widor's symphonies by O. Latry (you can search them up on YT), and I don't know if people are just talking crap or if they might have a point, becase all the comments on the bottom of the Toccata video, people said that this recording was BEFORE the computerization in the 1990s, and at about the end of the Toccata Latry puts it on tutti..... ? Orrrr was there some sort of a prior computerization before the 1990s? And that in the 1990s they wanted it to be more modern?
xD That what ponders me most. ~Silver |
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#10 (permalink) |
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Midshipman, Forte
Join Date: Apr 2009
Posts: 31
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NDP organ was electrified in 1965-197 by the organmakers Herman and Boisseau (36 adjustable combinations, crescendo pedal, couplers and so on). Due to bad maintenance, the electric parts of the organ have been collapsing and the combinator went down in august 1984 just after Cochereau's death.
Example here of the combinator failure: Yves Devernay in the late 80's helped by his assistant! http://www.youtube.com/watch?v=ZPyrNI_rcQU |
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#12 (permalink) |
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Commander, Assistant Conductor
Join Date: Nov 2008
Posts: 165
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What I'd LOVE to see happen @ N-D de P, but likely never will, is for them to totally gut the computers/chamades/added material, and reconstitute the original Cavaille-Coll specification, at least as far as how Vierne knew it. After all, the original console still exists, it could be restored. The excellent playing of Latry notwithstanding, that organ has been pretty much ruined IMHO.
My two shekels' worth
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“The aim and final end of all music should be none other than the glory of God and the refreshment of the soul.” |
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#13 (permalink) |
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Commodore con Forza
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Well, that's essentially one of the things pointed out by the aforementioned Sci Am article. The "archaic" mechanical action of an organ such as S. Sulpice really put (and possibly still does) the ND organ and plenty of others in the shade in terms of reliability.
There's no doubting that a player of Latry's calibre can make any instrument sound good, and the many YouTube clips of his playing/improvising are nothing short of stunning. But it's clear that the instrument has been through the ringer in terms of playability. I keep forgetting, who was the blind organist there? Was it Devernay or Leguay? I only ask because I think it was the "talking" computer that was installed (it called out stop names and things like that) which really started to cause problems.
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Music is made to transform the states of the soul, for an hour or an instant (J. Alain) |
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#15 (permalink) | |
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Midshipman, Forte
Join Date: Apr 2009
Posts: 31
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Quote:
Without the restauration Pierre Cochereau would not have been able to express his improvisator genious, nor Latry would have been able to play the more incredible piece for organ composed in the recent times: "Debout sur le soleil" by Jean-Louis Florentz specifically created for NDP and his computerized combinator! |
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