Some real "orchestrational thinking" applied to choral tone:
http://www.youtube.com/watch?v=GSVbi...eature=related
R. Strauss "has" such a flair for writing choral music with lots of "texture" - I mean to say "lots of nuances" that demand, nay, necessitate careful reading and interpretation by both the conductor and the choir members. Otherwise it'll all go "flat" imvoho.............


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