How long can the CD survive with the advent of the Internet and the World Wide Web? How are musiciens who have never been able to convince record companies to distribute their music reacting? Are "Netlabels" the next step in distributing one's music?
Here are three of many questions I have been asking myself over the past few years. Does anyone care to debate?


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I don't care if the whole wide world has long discarded its LP's, I keep all mine. Among other advantages, I get these beautiful opera librettos in three, four or five languages and I don't need my glasses to read them
I also keep five drawers full of cassettes on which I recorded both unavailable LP's and life concerts. Unfortunately, all my BASF or Telefunken reels did not survive climatic conditions in this part of the world
I am sure this collector's mind set of mine will apply to CD's too.
), but it's a mixed blessing when it comes to albums. The price (I'm talking UK here, since you can't purchase from anywhere in the world because of limits) can be good – but then again, most shops (let alone the likes of Amazon) will sell CDs cheaper once they're not just released. For instance, chains such as HMV and Virgin in the UK don't so much have occasional sales as always having some racks full of bargains. It's a great way to build a collection and frequently works out cheaper than, say, the average of £7.99 on iTunes.
