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Recruit, Pianissimo
Peter Greenaway & Michael Nyman
Hi,
I am an undergraduate student with the following essay to write:
Do Michael Nyman's music and Peter Greenaway's film images exist as totally separate entities in their filmic collaborations?
However, I am finding it difficult to find very many relevant resources to use. Does anyone know of any books/articles etc that might be useful to me?
Or more generally, can anyone suggest some general areas of film music theory that I can read up on and apply to the films?
Thanks,
Lisa
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