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| Classical Music Forum A forum dedicated to "classical" music (from ancient and medieval music over baroque, classical, romantic and up to modern "avantgarde" / contemporary). If you have any questions related to classical music, you can ask them here. |
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Welcome to Magle International Music Forums! A community covering a wide array of musical genre. You are currently viewing our boards as a guest which gives you limited access to view most discussions and articles. By joining our community you will have access to post topics, communicate privately with other members, upload your own music and photos, and access many other special features. Registration is absolutely free so please, join our community today!
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#62 (permalink) |
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Recruit, Pianissimo
Join Date: Nov 2006
Location: London, United Kingdom
Posts: 4
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Bach: Es ist nicht Gesundes an meinen liebe, Weinen Klagen Sorgen Zagen, Wachet Auf, Magnificat D-Dur,
Elgar: Cello Concerto, Montiverdi: Vespro della Beata Virgine, I'm going through a Cantata phase atm
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#63 (permalink) |
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Administrator
Join Date: Aug 2005
Location: Montreal, Canada
Posts: 2,995
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Today it was excerpts from Carl Maria von Weber`s 'Oberon'. What lovely music!
Earlier, it was an excerpt from Holst`s 'The Wandering Scholar'. Odd to hear opera in english, when you`re not used to it! |
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#64 (permalink) |
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Captain of Water Music
Join Date: Oct 2006
Location: İstanbul
Posts: 391
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This is a special day because i listened to
Beethoven-Symphony No.9 by Daniel Barenboim-Staatskapelle Berlin and also Orff-Carmina Burana by Riccardo Muti-Philharmonia Orchestra&Chorus Shostakovich-Piano Concero 1-2 by Mikael Rudy-Mariss Jansons-Berliner Philharmoniker-London Philharmonic Orchestra Mozart-Requiem by Sergiu Celibidache-Münchner Philharmoniker Mozart-Syphonies Nos.24-27,32 by Neville Marriner-Academy of St Martin in the Fields 33,35,36,38-41 by Herbert von Karajan-Berliner Philharmoniker |
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#67 (permalink) |
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Captain of Water Music
Join Date: Oct 2006
Location: İstanbul
Posts: 391
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Coriolan Overture by Carlos Kleiber-Bavarian State Orchestra.
Was Carlos a demigod or something because as far as im concerned Furtwangler,Karajan,Walter,Klemperer were at the humanly possible top of the conducting yet Carlos's Coriolan outclasses theirs.What freshness and spirit.Unbelieveable PS:Thanks Youtube!!! |
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#69 (permalink) |
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Captain of Water Music
Join Date: Oct 2006
Location: İstanbul
Posts: 391
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Today is Brahms day I listened to his 4th symphony by Sergiu Celibidache-Münchner Philhamoniker,now listening to 1st by Wolfgang Sawallisch-London Philharmonic and will continue with 2nd and 3rd symphonies by again Sergiu Celibidache-Münchner Philharmoniker then i also may listen to Ein Deutsches Requiem by Karajan-Berliner Philharmoniker
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#70 (permalink) |
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Commodore con Forza
Join Date: Dec 2006
Location: London, England
Posts: 553
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Strauss – Johann II, that is – on my iPod to and from work, on the grounds that I'm in an exceptionally excited mood, after having booked tickets for next Saturday's performance of Die Fledermaus by the Glyndebourne Touring Company at Sadler's Wells.
In the evening, Mozart's concert arias, followed by Haydn's 103rd (the 'Drum Roll'), then Rimsky-Korsakov's Scheherazade and some Bach toccatas and fugues – the latter of which bring back memories of a concert in the Westerkerk in Amsterdam during the Prinzengracht Festival a few years ago. Last edited by Sybarite; Dec-05-2006 at 01:05. |
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#73 (permalink) |
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Captain of Water Music
Join Date: Oct 2006
Location: İstanbul
Posts: 391
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Two versions of Mozart's requiem one by Sergiu Celibidache-Münchner Philharmoniker and another by Riccardo Muti-Berliner Philharmoniker.I liked Muti much more in Sanctus and Benedictus and slightly more in Dies Irea but the rest Celibidache is more sentimental and his slow tempos really helps him in giving a spiritual performance
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#75 (permalink) |
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Ensign, Principal
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What classical?
Hi,
None. Perhaps that says as much as listing what I listen to. Even though I studied classical music for years (first in Chichester, then at London University), I rarely choose to listen to it. The only exception to this general rule is French music around the turn of the nineteenth century (Ravel, Debussy, Satie) and some of Mozart's work. Occasionally I listen to my own - but that is an even more rare experience than listening to Ravel. Your question provoked a memory. I remember sitting in a class listening to Schubert songs. Interesting as they were, I simply could not wait to leave the classroom and resume listening to Thomas Dolby songs. I listened as lecturer waxed lyrically about the musicality in the Schubert (he almost looked as if he was in pain). But when I put on my Walkman, I just could not see how Schubert could compare to the music that I was listening to at the time (in terms of musicality, impact or listenability). Maybe it is sacreligious to say this, but that is how I felt. This week I thought I'd do something about this. I took out 'Amadeus' to try to interest my children in Mozart. I thought the scenes in the film explaining the beauty of the music might interest them. The result? Not interested - they were more interested in listening to Elvis Presley...... Perhaps the most interesting question is "why?" Why do I now choose not to listen to (or write) classical music after studying it? What turned me off it? What turns my children off it? What turned me (and my children) onto other music? Has anyone else had this experience? Rory Ridley-Duff Last edited by protos; Dec-09-2006 at 17:22. |
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