Page 2 of 2 FirstFirst 12
Results 16 to 18 of 18

Thread: Humour in Classical Music Works

  1. #16
    Midshipman, Forte
    Join Date
    Mar 2007
    Location
    Lawrence, KS, USA
    Posts
    39
    There are two types of humor: that about classical music from the outside, and that about it from the inside.

    One of the best insider's takes on academic serialism was done by a serialist named Humphrey Searle (a neglected genius of symphonic writing, IMO). It was at the Hoffnung Festival (CDs of which are still in print today), where they'd play works like Leopold Mozart's Concerto for Hosepipe, the Grand, Grand Overture mentioned previously, and larger works like Let's Fake an Opera (or, The Tales of Hoffnung).

    Searle's contribution, aside from a setting of Lochinvar, was a piece called Punkt/Contrapunkt (a takeoff on Stockhausen's Kontrapunkt). It features to German academics babbling away for nine minutes, after which the piece they've just analyzed turns out to be only thirty seconds long.

    It also has the best opening line in the world: "Music began when Arnold Schoenberg invented the tone row."

    From the outside, I don't think it gets any better than Dudley Moore's setting of Little Miss Tuffet in the style of Britten as sung by Peter Pears and a "Ballad of Gangster Joe" which is a pitch perfect parody of Weill and Brecht.

    Personally, I think Harrison Birtwistle's Punch and Judy is one of the funniest things I've ever heard (but I imagine many wouldn't agree; Britten walked out of the first performance).

    I was lucky enough to see Ligeti's Le Grand Macabre in San Francisco, and I thought I'd die laughing.

  2. #17
    Commander, Assistant Conductor
    Join Date
    Apr 2007
    Location
    AZ
    Posts
    165
    Quote Originally Posted by Krummhorn View Post
    Anything of Peter Schickele, especially The Short Tempered Clavier - Preludes and Fugues in all the Major & Minor Keys Except for the Really Hard Ones (s. easy as 3.14159265)

    Well, they were truly classical before PDQ Bach, now they are simply classics
    What is being implied by short tempered or well tempered in regards to the instrument?
    Jan

  3. #18
    Midshipman, Forte
    Join Date
    Mar 2007
    Location
    Lawrence, KS, USA
    Posts
    39
    Quote Originally Posted by janny108 View Post
    What is being implied by short tempered or well tempered in regards to the instrument?
    Jan
    Well-tempered means, in this case, equal-tempered or dividing the octave up where each note of the chromatic scale is an equal distance from the one before and after it.

    Short-tempered means temperamental.

Page 2 of 2 FirstFirst 12

Similar Threads

  1. Modern popular songs based on classical music.
    By jason in forum Fusion & Crossover Music Forum
    Replies: 47
    Last Post: Nov-28-2010, 03:28
  2. exciting classical music works
    By rojo in forum Classical Music Forum
    Replies: 44
    Last Post: May-23-2008, 21:38
  3. Ilaiyaraaja. Introduction to a Unique Music Genius!!
    By irir123 in forum Fusion & Crossover Music Forum
    Replies: 49
    Last Post: Feb-16-2008, 03:05
  4. Performing early music using historic techniques and instruments
    By Frederik Magle in forum Classical Music Forum
    Replies: 3
    Last Post: Feb-01-2006, 13:10
  5. artificial music intelligence .......
    By hitsware in forum Community Center and Chat Forum
    Replies: 0
    Last Post: Jul-16-2004, 06:36

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •