We often hear concerto grosso defined as a concerto for two or more instruments.
Yet Bach and Vivaldi both composed concerti for two or more instruments, and neither of them ever used the term. Note that both composers always wrote their concertos in three movements--fast-slow-fast.
Handel and Corelli both used the term, and they both wrote concerti in many short movements.
Shouldn't the multiplicity and brevity of the movements be added to the definition?


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