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Exercises to separate left hand from pedal

Bach>Meer

New member
Hi all

Could anyone suggest anything so that I learn to work the left hand entirely independently from the pedal? Also I need to improve my sight reading - does anyone have any tips?

Thanks!
 

AllanP

New member
My first organ teacher had me play a new hymn every week. This is a good exercise to develop sight reading and to give independence between left hand and pedal. This practice helped me greatly in sight reading.

The method he suggested is to play the top two parts with the right hand, the tenor with the left hand and the bass with the pedal. Any hymns are ok, but to avoid boredom, pick ones that you like.

A variation is to play the upper part on a separate manual with a solo stop. Play the alto and tenor in the left hand on a different manual with the bass in the pedals as before.
 

BrianLarkin

New member
Allan P's advice is excellent. You could get a "method" ..say, Harold Gleason's book with exercises etc. There are many on the market. Call Jack Ay at Musical Source in DC. 1-800-2-SOURCE. He'll know what's out there these days in that area.

When I was in boarding school a long time ago, I was picked to accompany ALL the musicales and sing-alongs every week because I could play the piano ( a little) The headmaster told me to "just play and don't make mistakes." Fear, I guess, did the trick. I learned to sightread almost anything.....and still can. I started out reading all the Rodgers/Hammerstein/Hart/Kern, Berlin, Gershwin and then all the other Broadway writers of the time. Good sheet music will put you through your paces.
 

Contratrombone64

Admiral of Fugues
Bravo AllanP ... great stuff, it's what I do, too. Hymns are basically easy as they are never really diverse rhythmically. Tending to be very vertical in chordal structure.

If you want more of a challenge ... look at Bach's Trio Sonatas. Now they are damned hard, but, if you just play the left hand part until it's perfect, then learn the Pedal part (alone), and then add the Pedal part slowly with the left hand (so as not to learn mistakes) two or four bars at a time, then you'll soon get through a whole movement. Start with the slow movements, is my recommendation. These trio sonatas were design to foster independance of feet and hands. Once you've mastered that you can bring the right hand in.

Never get despondent (thank you to Corno Dolce for being so vigilant at spotting my every error, I hope to be as error free as your good self one day ... ), if you set your heart a goal, and jot down a practice timetable and adhere to it you'll have success. Slow and steady wins the race!! Best of luck.

my two cents worth
 
Last edited:

Corno Dolce

Admiral Honkenwheezenpooferspieler
Ahem - CT64, do you mean *despondent*?:grin::grin::grin:

Anyway, AllanP gave an excellent suggestion....

My $0.03 cents worth.......
 

Krummhorn

Administrator
Staff member
ADMINISTRATOR
. . . play a new hymn every week. This is a good exercise to develop sight reading and to give independence between left hand and pedal. This practice helped me greatly in sight reading.

The method he suggested is to play the top two parts with the right hand, the tenor with the left hand and the bass with the pedal. Any hymns are ok, but to avoid boredom, pick ones that you like.

A variation is to play the upper part on a separate manual with a solo stop. Play the alto and tenor in the left hand on a different manual with the bass in the pedals as before.

Excellent :up:. This is the way I worked at it too.

Allan P's advice is excellent. You could get a "method" ..say, Harold Gleason's book . . .

The John Stainer organ playing book is well worth getting, too.

. . . If you want more of a challenge ... look at Bach's Trio Sonatas. Now they are damned hard, but, if you just play the left hand part until it's perfect, then learn the Pedal part (alone), and then add the Pedal part slowly with the left hand (so as not to learn mistakes) two or four bars at a time, then you'll soon get through a whole movement. Start with the slow movements, is my recommendation. These trio sonatas were design to foster independance of feet and hands. Once you've mastered that you can bring the right hand in.

Jolly good suggestion, CT64 ... and yes, they are difficult - but it does get the hands and feet working independently. Working several bars at a time is the way I presently learn new pieces, too ... works well for me.
 

Contratrombone64

Admiral of Fugues
Excellent :up:. Working several bars at a time is the way I presently learn new pieces, too ... works well for me.

Krummiest - I also am rather partial to using a metronome at the learning stage as it forces me to be rythmically aware, I do abandon it eventually.
 
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