Gilbert and Sullivan

Contratrombone64

Admiral of Fugues
I am a big G&S fan, Dame Margaret, have been all my life really. It was a good recipe: excellent and witty texts, great music. No other duo really had the same working relationship (of course Oily Cart helped promote).
 

Corno Dolce

Admiral Honkenwheezenpooferspieler
Aloha CT64,

The working relationship of the brothers George and Ira Gershwin is also known to be one of the most fruitful.

Cheerio,

CD :):):)
 

Corno Dolce

Admiral Honkenwheezenpooferspieler
Well, having participated in many musicals by the Gershwins I'll beg to differ with you. The Gershwins might not have reached the notoriety of G & S. You say tomaytoe - I say tomahtoe - Lets call the whole thing Orff :D:D:D:D:D:D:D
 

marval

New member
Well I think the music was so different, it would be difficult to compare. I like some Gershwin, but I am a big fan of G&S, I think the whole operettas are very entertaining.

I enjoy it when my friend sings with our local G&S Society.


Margaret
 

Corno Dolce

Admiral Honkenwheezenpooferspieler
Aloha Dame Margaret,

Yes truly, the music and words of the Gershwins is quite different from G & S. Now, to be fair I have also performed some G & S and enjoy their fare. The operettas by Franz Lehar are my great favorites - just oozing with schmaltz :D:D:D

Cheerio,

CD :):):)
 

Contratrombone64

Admiral of Fugues
Back to the topic of the thread ... yes Margaret, their operettas really just work, especially the really famous ones (Mikado, Pirates, Pinafore, Patience) and they'll be played the world over for a long time to come.

I'm a bit of a devotee of the final two, however, they suffer from a misunderstanding audience that just didn't want them to develop their style. The music was far more advanced and the lyrics were much more obscure.

I think Sullivan's need to move on and write an opera was necessary, even though it's never staged anymore. Queen Victoria was a main protagonist in that (it' being written).
 

marval

New member
Yes I agree CT,

I think some of them, like Pirates, Pinafore and Mikado, are better known because they seem to be performed more. I like Ruddigore, I think it is very clever.


Margaret
 

Contratrombone64

Admiral of Fugues
I think they survive because there aren't any bad melodies, Mikado has pearl after pearl of wonderful tunes. Ruddigore's great, isn't it? I love the "when the nightwind howls ..." number, just so atmospheric.
 

marval

New member
Oh, "When the nightwind howls" is just perfect. Definately no bad melodies and the lyrics are so amusing. I find them easier than heavy opera.


My husband and I went a couple of times for a meal at Grimsdyke Hall, a very posh hotel. It is where William Gilbert used to live.


http://www.grimsdyke.com/history.htm
 

marval

New member
HI CT

No we didn't see the Lake, we just got to go through the main entrance to the restaurant. It was very posh, with an orchestra playing while you eat.

I would have loved to have had a guided tour.


Margaret
 

Tûrwethiel

New member
I love G&S too. Pirates is a favourite because it's so damn silly. Years ago I played in the pit (second fiddle) for quite a few amateur/semi-professional productions and loved every minute. Those Act 1 finales were all long, challenging and a lot of fun.
 

marval

New member
Yes, Pirates is silly, but beacuse of that is is so funny. I can listen to G&S any time and it cheers me up.


Margaret
 

Contratrombone64

Admiral of Fugues
Margaret

Have you heard the new recording of Cox n Box? It's sort of urtext ... much more music than the massacred D'Oly Carte one.

David
 

Contratrombone64

Admiral of Fugues
Yeah - quite an eye-opener, from memory it's got Contrabandista on it too. Not such a good work, lacks the brilliance of Mikado, Pirates.
 
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