• Welcome to the Pipe Organ Forum! This is a part of the open community Magle International Music Forums focused on pipe organs (also known as "church organs"), organists, organ music and related topics.

    This forum is intended to be a friendly place where technically advanced organists and beginners (or even non-organists) can feel comfortable having discussions and asking questions. We learn by reading and asking questions, and it is hoped that the beginners (or non-organists) will feel free to ask even the simplest questions, and that the more advanced organists will patiently answer these questions. On the other hand, we encourage complex, technical discussions of technique, music, organ-building, etc. The opinions and observations of a diverse group of people from around the world should prove to be interesting and stimulating to all of us.

    As pipe organ discussions can sometimes become lively, it should be pointed out that this is an open forum. Statements made here are the opinion of the poster, and not necessarily that of the forum itself, its administrator, or its moderators.

    In order to post a new topic - or reply to existing ones - you may join and become a member by clicking on Register New User. It's completely free and only requires a working email address (in order to confirm your registration - it will never be given away!). We strive to make this a friendly and informative forum for anyone interested in pipe organs and organ music.

    (Note: If you wish to link to and promote your own website please read this thread first.)

    Many kind regards
    smile.gif

    Frederik Magle
    Administrator

    Krummhorn
    Co-Administrator

Choir Director and the Pipe Organ

Stan McDaniel

New member
I am teaching a university class in the practice of church music for both organ and choral conducting majors. I would like to provide the non-organists with article/chapter from book/or other resource with tips about how to communicate effectively in rehearsal with organists. Such a resource might include basic info about the organ as an instrument, tonal quality of various stops, what to look for in an accompaniment - is it organistic or not - and so on. It seems like a great idea to me, but I am not remembering seeing such a resource. Have you?:confused:
 

marval

New member
HI Stan,

Welcome to the forum, good to have you here.

As for your question, I am afraid I can't help you, but there are many Organists here who might be able to. So please stay around and hopefully there will be an answer.


Margaret
 

Krummhorn

Administrator
Staff member
ADMINISTRATOR
Hi Stan,

As a professional organist, I have had the opportunity to work with a great variety of conductors. I've yet to have a rehearsal session go awry with a strange choral conductor - through my formal training I have also been versed in how to be an effective accompanist. It only takes a minute or two for me to "learn" the new directors "motions" and how he or she directs cues, cutoffs and the like.

I have had a long standing verbal agreement with most conductors:
- I don't tell them how to conduct
- They don't tell me how to play

I am not aware of any printed literature out there that explains director/organist relationships. I am sincerely hoping that our organ pedagogue Tom Dressler will be able to shed some light on this as he is both an accomplished organist and a very learned choral director.

Usually, things just "happen". In most cases, the director and the organist are both professional musicians and get along fine. Most organists, even without the formal training, will be able to follow a choral conductors jestures with few problems.
 
Top