Aloha Mr. Newman,
You took my breath with your outlay on Mozart


I am stunned but I also think that you're onto something. It is no coincidence that Pope B16 is a lover of Mozart's oeuvre as well as JSBach's oeuvre. However, JSBach's oeuvre do not easily lend themselves to *Jesuitising* - However, Mozart and Haydn is another story. I can see where Mozart can have received *alot of help* in his Masses, Piano Works, Chamber works, and others. However, imo, his Operas I find highly original.
I do not make the connection with either Haydn or Salieri having *helped* or *ghost-written* Operas for WAM. I find Haydn and Salieri's *mental constitution* way too trite and staid for such dramatic works like Don Giovanni, Cosi Fan Tutte, Marriage of Figaro, Magic Flute, and other Operas. WAM's Operas, imo, were the counterweight to his other works. I almost detect a touch of Schizophrenia with WAM - the *stage-managed* compositions outside of Opera on the one hand, and on the other hand, the Operas.
Stayed tuned everybody...Same Bat-Time, Same Bat-Channel


