Interesting you should post that as I've recently come from playing for some graduation ceremonies at one of our larger theatre venues wherein is housed the largest (I think it still is) moveable mechanical action organ. Sadly, it's a godawful example of a late 70s Rieger (voicing is really dreadful) so it's not much to boast about. The only time you can use the 32' ranks (1 flue and 1 reed) is when the instrument is moved onto the stage. These ranks are (as mentioned above) also mounted horizontally in the ceiling of the auditorium. Apparently they have a decent effect from the audience perspective, but you'd never know at the console because you can't hear them from there.
Back on topic (partly) - my lasting impression of the Sydney Town Hall megathyrium's 64' reed was definitely one of a percussive effect rather than a melodic one. In fact, I did on one occasion hear a theatre organist use it as a bass drum - a quick tap on the lowest notes of the pedal board with the 64' drawn was enough for a single "thwack" of the reed!


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~. 
. You're right though, they're not the most attractive thing. There's a parish organ here that has mitered reeds in full view as part of the casing. I've always wanted to put a screen in front of them, they look intestinely ugly.
