Soubasse
New member
Well folks, it's fast approaching and I'm nervous on a number of levels. I've had a minor role in preparing the school choir for the brief Alain works that we are performing in Romainmotier Abbey in just a few weeks time (if I had nails to bite, I'd be doing it!). It's getting near "crunch" time, so I really hope we can pull it off with the appropriate amount of skill.
Shortly before the Abbey concert however, there remains for me the very personal and elated apprehension (if that makes sense) of playing the same instrument at which Jehan Alain himself sat, practiced and composed - the organ built by his father, now restored at the Maison de la Dime.
Has anyone here visited and played (or even visited and heard) this organ? If so, I'd really love to hear from you since I have no idea what to expect, what sort of protocols to observe, etc, etc. I've only met Guy Bovet once (very, very briefly), but he seems quite affable via email. Any advice at all that someone may have to offer would be gratefully accepted. Also, how much French would be "polite" to know? I can sort of read it, but conversation is "tres mauvais"
Cheers,
Matt
Shortly before the Abbey concert however, there remains for me the very personal and elated apprehension (if that makes sense) of playing the same instrument at which Jehan Alain himself sat, practiced and composed - the organ built by his father, now restored at the Maison de la Dime.
Has anyone here visited and played (or even visited and heard) this organ? If so, I'd really love to hear from you since I have no idea what to expect, what sort of protocols to observe, etc, etc. I've only met Guy Bovet once (very, very briefly), but he seems quite affable via email. Any advice at all that someone may have to offer would be gratefully accepted. Also, how much French would be "polite" to know? I can sort of read it, but conversation is "tres mauvais"
Cheers,
Matt