L.Palo
New member
Hi!
At last I've been able to download your re-worked demo version and test it...
It's definitely less hiss in the notes, but there are also things lost I think. It's hard to put the finger on exactly what it is, but some things don't seem right to me. Easy to spot is some loop mistakes in the lowest notes of Contrabasse, but they are also easy to fix. More important is that something has happened with the "room" of the notes, they have less space around them now. Some of the stops has got a more electric imitation character now, a bit synthetic (like for instance the Bourdon 8) - quite possibly a side effect of lowering the samplerate.
Some more voicing is also needed for instance with the Bombarde/Trompette joint in the pedal. I definitely must play a bit more with it but I'm not at all sure if this is the right way to go. I think that the screen (panel) layout should be cleaned into different styles on different panels - if a French model is the base imitation then the combinations should be replaced with those common for that style (and a new panel created with an English/American AGO style etc). I think that one should investigate if other means of fixing the hiss could be used (different samples, other noise reduction settings etc) too without loosing too much "real organ" samples feeling.
But this is just my first thoughts about it...
Kind regards
Lars P
At last I've been able to download your re-worked demo version and test it...
It's definitely less hiss in the notes, but there are also things lost I think. It's hard to put the finger on exactly what it is, but some things don't seem right to me. Easy to spot is some loop mistakes in the lowest notes of Contrabasse, but they are also easy to fix. More important is that something has happened with the "room" of the notes, they have less space around them now. Some of the stops has got a more electric imitation character now, a bit synthetic (like for instance the Bourdon 8) - quite possibly a side effect of lowering the samplerate.
Some more voicing is also needed for instance with the Bombarde/Trompette joint in the pedal. I definitely must play a bit more with it but I'm not at all sure if this is the right way to go. I think that the screen (panel) layout should be cleaned into different styles on different panels - if a French model is the base imitation then the combinations should be replaced with those common for that style (and a new panel created with an English/American AGO style etc). I think that one should investigate if other means of fixing the hiss could be used (different samples, other noise reduction settings etc) too without loosing too much "real organ" samples feeling.
But this is just my first thoughts about it...
Kind regards
Lars P