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jhnbrbr

New member
Hello. My name's John. I like lots of different music, but classical in particular, and I've also been a keen amateur organist since the age of 14 when I was persuaded to "have a go" at our local church when the proper organist failed to turn up. It was a Victorian 2-manual pipe organ with flat and parallel pedalboard. I was immediately hooked on organs, and I continued playing that instrument for many years afterwards.

In1985 I bought (for £450) a 2 manual and pedal reed organ as a home practice instrument. It must be at least 80 years old but it has performed with incredible reliability to the present day, and given me countless hours of pleasure. It has electric blowing (electric sucking to be precise!) and seven ranks of reeds 2 x 16', 3 x 8' and 2 x 4'. Quite a powerful sound, and great for annoying the neighbours! It has its limitations tonally though (the people who wrote the stop labels for harmoniums and American organs employed a great deal of poetic licence!).

In the past few weeks I've been introduced to the concept of the "virtual organ" . I'm really excited by this idea and intend to explore it farther, and hopefully learn from others on this forum. I like the idea that it might be possible to put together a really impressive organ for a few hundred pounds, rather than a few thousand, and I'm on the lookout for components and ideas to assemble a MIDI console, of which the pedal board will probably be the most challenging part.

I like listening to all sorts, not just organ, and (predictably) I regard J.S.Bach as the god of music, but I have a very special relationship with Cesar Franck, who might be called the Marmite of music since you either love him or hate him, and those of us who love him seem to be quite a small minority! There's so much more to him than "Panis Angelicus" - eg the symphonic poem for orchestra and chorus "Psyche" - pure gold! For additional (free) musical ecstacy I log onto Daily Motion to hear Helene Grimaud ("wolf girl" I call her) playing Busoni's transcription of Bach's famous chaconne, or the Belgian singer Maurane singing "Sur un Prelude de Bach" - a song constructed (like Gounod's Ave Maria) on the first Prelude from the Well Tempered Clavier.

Sorry! I've gone on a bit! Not a good start!

Best wishes,
John.
 

Krummhorn

Administrator
Staff member
ADMINISTRATOR
:wave: Welcome to MIMF, John :)

My heavens ... if only everyone would write as nice an introduction as yours. Enjoyed reading your mini-bio very much.

We have a section in the Pipe Organ Forum area that have threads about Virtual Organs that might be of interest to you.

We look forward to seeing you about these pages. Got to warn you though ... this site can become very addicting :up:. Enjoy!!
 

Corno Dolce

Admiral Honkenwheezenpooferspieler
Aloha John,

Welcome aboard! Please do make yourself feel very much at home around here and plan on staying for a spell as this forum is highly addictive.

Thanx for sharing so much in your first posting. I personally thought it great that you so willingly shared of yourself to the membership of this forum. We're really a great group of people on this forum with friendliest of intentions.

You have chosen to become a member of the world's best forum - enjoy and explore the possibilities around here.

Humbly,

Corno Dolce :):):)
 

marval

New member
Hello John,

Welcome to the forum, glad you chose to come to this great place.

Being an organist this is the place for you to be.


Margaret
 

C5Says

New member
You are most welcome, John!

Is your surname, by any chance, Barber? :)

As they have warned, this site is addicting! :)
 

jhnbrbr

New member
Drat! My cover is blown! It's true, C5, I am the descendant of a hairdresser. As for this place being addictive, I'm finding that true already.
 

C5Says

New member
So you're John Barber or you're John the barber?

I'm sure you'll enjoy the rest of your life here. :D
 

Tûrwethiel

New member
Hi John

I agree with you about Bach: it's absolute bliss, if you ask me. Please stick around the forum and have a fun time.
 
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