John Watt
Member
When I was replying to another thread, I thought, pensatitto, cerebulatum, hedskiponderoski, or je pense,
that this is a challenging idea for a new thread, not that "thread" says it all.
This should be called an unwoven foreign tapestry, now reweaving for us all,
the new, global audience.
My Royalty-Free Opera Prospectus: A call to charts for all living, under-employed composers and linquists.
There is a huge, untapped market for opera that has been translated into English.
Now, I can see cultural outcries in all the original languages as being traditional, even classical,
but coming from the Scottish Clan System that brought you the Holy Bible in English,
it's more than possible, with many practical applications for me or any producer.
Look at the success of the Holy Bible in English, and how it spread this language.
Look how many wars that started, something that's a major aspect of many operas,
especially those that are Mediterranean theme based.
Look at the success of the Hollywood movie "Amadeus", in American/English.
He still has too many notes, and his music still has too much of an eternal reach,
but even North Americans and the Oscars loved him.
And it didn't star opera singers, it was just actors with prerecorded soundtracks,
royalty-free, soundtracks. Even Salieri would be forced to agree.
Now, I'm saying opera first as this opera forum,
but how many other cultural stage productions are now part of our consciousness,
coming from Japan, Korea, New Zealand, Iceland, the Haida of northern B.C.,
and yes, everywhere else except Europe?
Think of all the local "little theatre" groups there are, loving this song and dance tradition.
I'm saying any historic, cultural traditions of song and dance stage productions,
when translated into the prophesied global language of Proper English,
could be enjoyed world-wide with the kind of success that could bring.
Right away, I want to invest in "The Flying Dutchman",
as part 5 of "The Pirates of the Caribbean", seeing Corno Dolce as the star,
with a guest electric, lead guitar solo by Wolfgang Van Halen,
only because he can't play too many notes, not without digitizing.
And if I'm the only investor, I can't afford an oceanic production,
so here's a photo of Lake Erie, getting fresh-water with it.
And I'm fairly positive that many traditional opera enthusiasts will have to admit,
that more than any other famous opera composer, Wagner would benefit the most.
that this is a challenging idea for a new thread, not that "thread" says it all.
This should be called an unwoven foreign tapestry, now reweaving for us all,
the new, global audience.
My Royalty-Free Opera Prospectus: A call to charts for all living, under-employed composers and linquists.
There is a huge, untapped market for opera that has been translated into English.
Now, I can see cultural outcries in all the original languages as being traditional, even classical,
but coming from the Scottish Clan System that brought you the Holy Bible in English,
it's more than possible, with many practical applications for me or any producer.
Look at the success of the Holy Bible in English, and how it spread this language.
Look how many wars that started, something that's a major aspect of many operas,
especially those that are Mediterranean theme based.
Look at the success of the Hollywood movie "Amadeus", in American/English.
He still has too many notes, and his music still has too much of an eternal reach,
but even North Americans and the Oscars loved him.
And it didn't star opera singers, it was just actors with prerecorded soundtracks,
royalty-free, soundtracks. Even Salieri would be forced to agree.
Now, I'm saying opera first as this opera forum,
but how many other cultural stage productions are now part of our consciousness,
coming from Japan, Korea, New Zealand, Iceland, the Haida of northern B.C.,
and yes, everywhere else except Europe?
Think of all the local "little theatre" groups there are, loving this song and dance tradition.
I'm saying any historic, cultural traditions of song and dance stage productions,
when translated into the prophesied global language of Proper English,
could be enjoyed world-wide with the kind of success that could bring.
Right away, I want to invest in "The Flying Dutchman",
as part 5 of "The Pirates of the Caribbean", seeing Corno Dolce as the star,
with a guest electric, lead guitar solo by Wolfgang Van Halen,
only because he can't play too many notes, not without digitizing.
And if I'm the only investor, I can't afford an oceanic production,
so here's a photo of Lake Erie, getting fresh-water with it.
And I'm fairly positive that many traditional opera enthusiasts will have to admit,
that more than any other famous opera composer, Wagner would benefit the most.
