My pipe organ is a Style D Wurlitzer built in 1927. I am seated at the console in the Avatar. The stop list is:
PEDAL:
Bass (Diaphone), 16'
Bourdon, 16'
Trumpet, 8'
Open Diapason, 8'
Tibia Clausa 8'
Flute, 8'
Cello, 8'
Accompaniment to Pedal
Solo to Pedal
ACCOMPANIMENT MANUAL (Choir):
Contra Viole (Ten. C), 16'
Vox Humana (Ten. C), 16'
Trumpet, 8'
Open Diapason, 8'
Tibia Clausa 8'
Salicional, 8'
Flute, 8'
Vox Humana, 8'
Octave, 4'
Piccolo, 4'
Salicet, 4'
Flute, 4'
Vox Humana, 4'
Piccolo, 2'
Chrysoglott
Triangle
Tambourine
SECOND TOUCH
Trumpet, 8'
Tibia Clausa, 8'
Chimes
Triangle
SOLO MANUAL (Great):
Trumpet (Ten. C), 16'
Bass, 16'
Tibia Clausa (Ten. C), 16'
Bourdon, 16'
Vox Humana (Ten. C), 16'
Trumpet, 8'
Open Diapason, 8'
Tibia Clausa, 8'
Salicional, 8'
Flute, 8'
Vox Humana, 8'
Octave, 4'
Piccolo, 4'
Salicet, 4'
Flute, 4'
Twelfth, 2 2/3'
Piccolo, 2'
Tierce, 1 3/5'
Cathedral Chimes
Glockenspiel
Chrysoglott
SECOND TOUCH
Trumpet, 16'
Tibia Clausa, 8'
Five Adjustable Combination Pistons per manual
The flute stops are open wood changing to open metal in the higher octaves. Otherwise, the pipe work is generally described by the stop name. The 4' Piccolo is somewhat similar to a harmonic flute. The 2' Piccolo is composed of fairly bright open metal pipes. The stops with the same stop name control the same pipes so that it is possible to mix and match combinations without the use of inter-manual couplers.
The pipe chamber is a former bedroom about 15' by 11' with a 14' ceiling. The chamer shutters are located in an entrance hall. The entrance hall acts as a sound mixing chamber. The sound then goes through an archway into the rest of the house. This tends to "mellow" the sound which could be too intense if experienced directly.
A short description and pictures are located at
http://www.hochhalter.com/page23.html